Dragon House He’s fast approaching the first season finale, but results so far have been mixed. One of the biggest criticisms leveled at the show is the constant flipping between narration quality and episode upon episode. “Lord of the tides” The trend continues – as expected – but it’s not entirely bad.
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Show starts after else Time jump trying to speed up the rendering of the source material and create the characters who will eventually meet up against George R.R. Martin’s infamous “Green vs. Black”. However, the way it is displayed on the screen is another matter.
The story picks up several years after the previous episode, Driftmark And the chaotic events that almost led to the murder of Princess Rainera at the hands of the vengeful Queen Aliscent. Corlys Velaryon appears to be swinging at death’s door, after a battle at the much contested Stepstones. Corlys’ brother Ser Vaemond is taking advantage of his lineage to try to secure the Driftmark for himself.
Rhaenyra and now husband Daemon return to King’s Landing to contest this claim, citing her son Lucerys as the true heir. What started out as a civil debate quickly turns into chaos when Faymond loses his temper and openly accuses Rainera’s children of being illegitimate bastards, causing Damon to chop off his head slightly above his tongue.
Meanwhile, the disfigured and decrepit King Viserys called for peace among his family when he invited them all to a feast. However, once they begin mending the fences, the resentment quickly fades when Aemond insults Rhaenyra’s children, once again insinuating that they are the bastards born by the late Harwin Strong.
For their part, Rhaenyra and Alicent do their best to broker peace between each other after many years of enmity, but a confrontation is clearly inevitable. This point is marked tenfold when a bedridden King Viserys wanders incoherently around Aegon the Conqueror while his wife is present, something that is sure to exacerbate the problem.
The latter part of the first season performed better than the previous one, and this has a lot to do with the contradictory time jumps in the chronology of events. Most of the schedule is set for everything that will now follow, and “Lord of the tides” He managed to take advantage of this more stable foundation.
An actor’s performances are always a highlight of a show, even if they can’t quite live up to his brilliance Game of thrones ejaculate. The talent is there, and it is only limited by the rare sources that he had to rely on.
One of the most incredible moments in the episode – and possibly the entire season – is the feast the family shares in the second half. King Viserys’ call for peace among his loved ones is a very touching and emotional moment, and what comes next is a wonderful thing.
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For the first time, the family members act like a real family, enjoying the evening as King Viserys always wished. Seeing Viserys in such a fragile state of decay makes him very sympathetic, especially since he always tried to be a noble and just king. Seeing him finally get his wish, even for a brief moment, is rather touching.
It’s also touching to see family members laughing, talking and enjoying each other’s presence – even the unreadable Otto Hightour who sparkles with happiness. This single scene hints at everything the royal family in Martin’s fantasy world would never have been – but she secretly wished they would.
Again, the episode is short on action and big on talking, but several notable plot developments unfold here, and anything that manages to propel the story toward its meaty core is welcome.
While necessary in theory, the relentless time jumps make it impossible for the audience to really focus on the story. This particular wound grows whenever the showrunners and screenwriters promise to pay big bucks, only to hit the reset button for the next episode. At this point, it was getting a bit corny.
Dragon House He continues to fall into the same terrible trap of building excitement and expectations, only to pull the rug out from under the audience for no reason at all. Much of this is the aforementioned lack of sources for final materials from this particular era, which is just a fraction of Martin ice and fire Novels.
Nowhere is this more evident than when it comes to secondary characters. Aside from the core cast, no one gets to have a good time in front of the camera. This is a bit strange, given that many characters like Ser Criston Cole and Larys Strong are basically forgotten at this point.
For his part, Strong was supposed to play the little finger-like character who manipulates events to bolster his own power, but then again, the show’s time-jumping and inconsistent focus on the characters caused him to kick stones somewhere in Westeros.
Last week’s episode garnered high praise for practicing the kind of standards that were made Game of thrones Watching is very addictive, but “Lord of the tides” He seems obligated to rely on dialogue in order to fill in the gaps. Extended periods of inactivity in the fair schedule work against it; Perhaps an indication that Dragon House It should not be lit green as a string.
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Those familiar with the source material know that very little actually happens in the grand scheme of events, and that will become an issue as we approach the end of Season 1. This becomes even more difficult when the public doesn’t know exactly who, if anyone, they should root for.
In fact, the show’s only noble character appears to be King Viserys, who is trying her best to heal serious wounds as the last act of his reign. Satan also makes some poignant suggestions for his estranged brother in the episode, but these are undermined by his frequent inconsistency and ruthless nature, which is now well established.
All the other characters are either morally bankrupt, or at least rudderless. There are no Jon Snows, Catelyn Starks, or Tyrion Lannisters to cheer about Dragon House. Everyone, including Princess Rainera and Queen Aliscent, is entitled to a self-serving elite interested in preserving their bloodlines, rather than promoting the good of the world.
Dragon House The peak-and-valley approach to storytelling has become tiresome, and if the show can’t pull a big rabbit out of its hat by the time season one ends, there will be backlash. “Lord of the tides” It does little more than show how trivial the overall story really is. If this is not a file Game of thrones ownership, he may be able to get away with courting a more modest success.
As it is associated with such a distinctive characteristic, it does not live up to expectations. This latest episode is about as ordinary a game as it gets, and is briefly punctuated by a horrific beheading, a fantastic dinner scene, and the conclusion of one character’s story.
Paradox is ruling the day, and enough to make any longtime fan wonder who the bright idea was to give the green light to a show based on a small portion of fire and blood Which didn’t sit well with critics, and for understandable reasons.
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House of the Dragon: The Lord of the Tides review (Episode 8)
- The actor’s performance is consistently strong.
- The horrific death of Sir Weymond.
- A beautiful, tragic, sweet and bitter dinner scene.
- Again a leap.
- Some characters have been completely forgotten.
- Another disappointment after the build up of the previous episode.
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