How Puerto Rican Latin Artist Miko Rise To Fame

How Puerto Rican Latin Artist Miko Rise To Fame

There’s just something about Latin trap star Yong Miku’s voice hitting differently. She has a natural richness and a gentle demeanor towards her, yet she is probably one of the most down-to-earth and down to earth music artists you will ever encounter. The 24-year-old from Añasco, Puerto Rico, learned how to develop rough skin at a young age. Surrounded by her male friends, she had no choice but to become what she calls a “bad whore”. The rise of tattoo artist turned trap artist may seem unfamiliar to many. After all, you’ve hit the Choliseo Circuit in Puerto Rico, a dream that often takes years to fulfill for an urbano artist. Not only that, but she did it within a year of releasing her debut single “105 Freestyle”.

Puerto Rico is a difficult audience to capture. [We are] Picky and demanding. This is part of the reason why so many big stars are off the island. Puerto Ricans know how to spot quality right away, so they are the first to show love [to our project] Set things straight.”

Bad Bunny invited Miku to be a part of the island-wide “Un Verano Sin Ti” tour party. Miku, singing “Riri”, captured the audience’s attention within seconds. They were chanting lyrical lyrics while stage dancers performed a viral TikTok dance and Bad Bunny gave the spotlight away. The audience started chanting “Atra! Atra! Atra!” (“One more!”) When it’s over. Miko has stolen the number 1 artist show in the world now. “Puerto Rico is a difficult audience to capture,” Miko tells PopSugar. “[We are] Picky and demanding. This is part of the reason why so many big stars are off the island. Puerto Ricans know how to spot quality right away, so they are the first to show love [to our project] Set things straight.”

Although music runs in the family (Miko’s grandmother composes and plays the piano, while her cousins ​​play in bands), it took a year after she began experimenting with music for release on SoundCloud, as many on the island do. Rap has been her “platonic love” since she bought a cheap mic in 2018 and started writing. “My mom always said to me, ‘Life is too short to not fall madly in love…with yourself and what you do, with someone else, with your family,’” Miko says. “This is something I always do in my daily life.”

With “Trap Kitty,” her first EP, she did just that. Inspired by one of her best friends, an exotic dancer named Riri, her concept is meant to take you on a journey she calls “The Stripper’s Life”. Miko thought Riri could write a book containing all the “crazy” stories that happened to her friend while she was working. They created her debut album instead.

Her “Corello” (crew) is new to this. Her manager, Mariana, looks like her sister, because they have known each other since 2012. Her producer, Mauro, is Mariana’s brother. So in 2020, she got her favorite minds together, rented an Airbnb in Rincón, and started building with a $100 Bose microphone and headphones. Now they all live together, which you laugh at sounds like “a 24/7 music camp.”

“The ideas that people liked the most, they might think we spent months developing, but in reality, it all flowed so easily thanks to our chemistry,” Miko says. “We are constantly learning from each other. If being a student means continuous growth, call me a student. Everyone in the group has that mindset. We are very hungry.”

They may be up on the scene, but they clearly know what they’re doing, and people write it down. One of the first openly lesbian artists on the Latin trap scene, Young Miko is a leading figure in what many call the distinctly grotesque new wave of Latin trap. And alongside her, women like Trap trans artist Viano Antelano and Raynau unapologetically lead—and create—the narrative for women in a male-dominated industry. But don’t screw it up: Even though they’re equally open about their sexuality, they each offer something completely different.

“[We] They are three different musical colors with three very different perspectives, and I love that,” Miko says. That’s why I feel [we] They cannot be compared to each other. Each of us represents himself 100 percent. “One thing that sets Miko apart from a mile away is her full field of ‘malianteo’ in English. Her lyrics are wholly spanglish, and it’s not entirely on purpose. Her musical influences from an early age have developed her that way.”

“My father listened to rock music—the Beatles, U2, Kiss the Police, even Bob Marley,” Miko recalls, while my mother always played La Oreja de Van Gogh, La Quinta Estación, Shakira, Juanes. Show me Big Brother Nas, Peggy, Gwen Stefani, Tupac, and Missy Elliott.” Miko wears a YM Merch hat and flaunts a gleaming stone in her teeth, and is herself unapologetic. She adds an unseen narrative in the urbano movement, a story that paints women and the LGBTQ+ community as creators of their destiny, not victims of it. .

“Pa toas’ las putas y las cueros, las que están puestas pal dinero,” she sings in “Putero” where she explains that her music is for everyone but especially for women. Miko wants listeners to feel free and free to show – and show off – the column dancer’s confidence in their everyday lives. “This generation is tired of the same thing,” Miko says. “They’re accepting and accepting of something new.” “Can [my lyrics] Not what I feel but what I would like to feel. I write for myself, too.”

Unlike her peers, she does not sing about what is happening in Cali – on the streets. She creates a multiverse from the anime stories she’s read, and it’s one of her biggest sources of inspiration. Most of her songs are anime characters who have given her more life by her embodiment, as in “Vendetta”, a song based on Revy by the band “Black Lagoon”. Even its name is inspired by the cartoon. Growing up, she watched “Avatar: The Last Airbender” religiously and found herself going down a rabbit hole of fan pages reading about how the series’ names came about. That’s when I found a Japanese dictionary and learned that “mi” means beauty and “ko” is a common way of ending a girl’s name. Together, “miko” means “daughter of God.” Growing up religious, she says that after the discovery, she immediately adopted Miku as her stage name.

“If I get accepted by my parents, the people who are most important to me in the world, do I really need anyone else’s approval? I don’t need anyone’s approval,” Miko says. “I’ve been clear from the start telling them what I want to do and what I want to sing about, but as parents, they are worried because we live in danger.”

Miko remains true to herself. Being defiant in a scene that threatens to silence the voices of openly gay artists is the ultimate in resilience.

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